Women: a cultural review explores the role and representation of gender and sexuality in arts and culture, with a particular focus on the contemporary world. The journal analyses the theory and politics of sexual difference in literature, the media, history, education, law, philosophy, psychoanalysis and the performing and visual arts. The journal has two Special Issues a year, and one Open Forum. In addition to articles, each issue has a substantial review section and a listings section for new and recent titles in the field of gender and culture. The journal also regularly features interviews with figures who have made particularly significant interventions in current debates about gender and feminism. Articles are invited for Special Issues and the Open Forum from both male and female contributors. Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
Word & Image concerns itself with the study of the encounters, dialogues and mutual collaboration (or hostility) between verbal and visual languages, one of the prime areas of humanistic criticism. Word & Image provides a forum for articles that focus exclusively on this special study of the relations between words and images. Themed issues are considered occasionally on their merits. Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
Written Communication (WC), peer-reviewed and published quarterly, is a broad, interdisciplinary, and essential journal for research on the study of writing in all its symbolic forms. It reports on what writing is, how writing gets done, and what writing does in the world, consistently providing readers with new research findings, new theoretical concepts, and new ways of understanding how writing is practiced in schools, workplaces, and communities.
The »Literaturwissenschaftliches Jahrbuch« (Yearbook of Literary Studies) was founded in 1926 by Günther Müller with the aim to publish both research and literary texts. The Jahrbuch was banned by the Nazis in 1939 and re-founded by the German scholar Hermann Kunisch in 1960; the new series has now grown to more than 50 volumes. The trans-disciplinary journal publishes articles on German, English and American literature, as well as literature in the Romance languages. Articles may be written in German or the languages of the respective fields. Each volume also comprises a substantial review section. Early career scholars are encouraged to submit their manuscripts.
The journal Zeitschrift für romanische Philologie (ZrP), was founded in 1877 by Gustav Gröber. In the field of literary history the subjects covered by the journal include Romance literature up to the Renaissance, as well as the entire scope of Romance language studies and related studies. .
The "Zeitschrift fu¨r A¨gyptische Sprache und Altertumskunde", the oldest Egyptological journal, covers the whole field of Egyptology including Demotic, Coptic and Meroitic studies. The contributions examine the language, history, religion, art, and material culture of the ancient Nile valley. In addition, they deal with the history of Egyptology and with Egypt's influence on contemporary and later cultures. .
We are pleased to announce that, from 2016, a/b: Auto/Biography Studies will publish three issues a year.
a /b: Auto/Biography Studies enjoys an international reputation for publishing the highest level of peer-reviewed scholarship in the fields of autobiography, biography, life narrative, and identity studies. a/b draws from a diverse community of global scholars to publish essays that further the scholarly discourse on historic and contemporary auto/biographical narratives. The journal upholds its almost thirty-year legacy of publishing by pushing ongoing conversations in the field in new directions and charting an innovative path into interdisciplinary and multimodal narrative analysis.
The journal accepts submissions of scholarly essays, review essays, and book reviews of critical and theoretical texts as well as proposals for special issues and essay clusters. Submissions are subject to initial appraisal by the editors, and, if found suitable for further consideration, to peer review by independent, anonymous expert referees. All peer review is double blind and submission is through our online digital submissions portal, accessible at http://www.edmgr.com/raut.
arcadia publishes articles in German, English, and French, which take a broader historical, theoretical, or cultural approach to literature. Especially welcome are papers that focus on the intercultural and interdisciplinary relations of literature. Submitted papers should not be submitted elsewhere, should not constitute chapters of finished or nearly finished dissertations, and should not have been published in another major language.