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When the Scandinavian Journal of the Old Testament was first published in 1987, it was expected to become the principal forum of Scandinavian Old Testament research. Reality has surpassed the expectations of the founders, as Scandinavian Journal of the Old Testament is rapidly becoming one of the major outlets of international Old Testament scholarship, although without losing its specific Scandinavian character. Contributions by leading scholars have in recent years changed the scholarly understanding of the history of Israel. Such contributions have been published in issues devoted to special themes such as heritage of Sigmund Mowinckel; the question of Israel's origin; Old Testament and Literature.

Scando-Slavica is a peer-reviewed international journal for Slavic and Baltic linguistics, literature, culture, history and society. It publishes two issues yearly. The editorial board is appointed by the Association of Nordic Slavists and Baltologists. While Scando-Slavica is primarily an organ for Scandinavian slavists and baltologists, contributions by non-Scandinavian authors are welcomed. The majority of articles are written in English and Russian, but articles written in German and French are also accepted.

Sefarad inició su publicación en 1941 en el seno de la Escuela de Estudios Hebraicos de la mano de Francisco Cantera Burgos (Madrid) y José María Millás Vallicrosa (Barcelona). Se publica en forma de dos fascículos anuales, con 500 páginas de artículos originales y reseñas de filología y crítica textual de la Biblia Hebrea (y sus versiones antiguas y comentarios); filología y lingüística de las lenguas hebrea y aramea; historia y cultura de los judíos en España; y lengua y literatura, historia y producción cultural de los sefardíes.

The objective of Seminar is to propagate the scholarly and critical knowledge und understanding of Germanic Studies, meaning the study primarily of literature and culture of the German-speaking countries, and secondarily of literature and culture in other Germanic languages excluding English.

Semiotica, the Journal of the International Association for Semiotic Studies, was founded in 1969 and appears in five volumes of four issues per year, in two languages (English and French), and occasionally in German.Semiotica features articles reporting results of research in all branches of semiotic studies, in-depth reviews of selected current literature in the field, and occasional guest editorials and reports. From time to time, Special Issues, devoted to topics of particular interest, are assembled by Guest Editors.The publishers of Semiotica offer an annual prize, the Mouton d'Or, to the author of the best article each year. The article is selected by an independent international jury.Semiotica is a peer-reviewed journal of international scope.

Seventeenth-Century French Studies (SCFS), which first appeared in 1979, is the annual journal of the Society for Seventeenth-Century French Studies. Peer reviewed by an internationally-based editorial board and invited specialists, the journal publishes high-quality original articles in English and French on a broad range of literary, cultural, historical and theoretical topics relating to early modern France. Studies taking up questions of gender, iconography, body criticism, economics, history of costume and the poetics of memory have recently appeared in broadly themed volumes devoted to: the knowledge economy in the long seventeenth century, conversation, gossip and the voice, image and the imagination, and pedagogy and practice.SCFS welcomes the work of both established figures and young researchers, and has historically provided a unique forum for the strong British tradition of scholarship focussing on the great seventeenth-century French classics, encouraged and supported by the Society’s first president, Roy C Knight. Currently, the journal’s increasingly broad and inclusive stance has widened to include the full range of early modern literary, musical, artistic, political and material concerns. Interdisciplinary studies are particularly welcomed. Some highlights of recent volumes include John Lyons on Lafayette and gemology,Wendy Perkins on women and silence, Peter Bayley on the education of princes, Matt Senior on anatomy at the Jardin du roi, Michael Moriarty on images and idols, Jan Clarke on actresses, Delphine Denis on Scudéry and Alain Viala on stagings of Racine. Fully international in scope, the journal has encouraged contributions from throughout the UK, the US, France, Portugal, Sweden, Turkey, and the Republic of Ireland, among others.

Read the new Special Issue Shakespeare and Jane Austen. Shakespeare is a major peer-reviewed journal, publishing articles drawn from the best of current international scholarship on the most recent developments in Shakespearean criticism. Its principal aim is to bridge the gap between the disciplines of Shakespeare in Performance Studies and Shakespeare in English Literature and Language. The journal builds on the existing aim of the British Shakespeare Association, to exploit the synergies between academics and performers of Shakespeare. Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Founded in 1950 by the Shakespeare Association of America, Shakespeare Quarterly is a refereed journal committed to publishing articles in the vanguard of Shakespeare studies. As of 19 April 2010, submissions are double blinded. The Quarterly, produced by Folger Shakespeare Library in association with George Washington University, features notes that bring to light new information on Shakespeare and his age, issue and exchange sections for the latest ideas and controversies, theater reviews of significant Shakespeare productions, and book reviews to keep its readers current with Shakespeare criticism and scholarship.