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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard. .

Orbis Litterarum is an international journal devoted to the study of European, American and related literature. Orbis Litterarum publishes Peer reviewed, original articles on matters of general and comparative literature, genre and period, as well as analyses of specific works bearing on issues of literary theory and literary history. Orbis Litterarum: International Review of Literary Studies was founded in 1943 as a journal devoted to the study of literature in international and comparative perspectives. With a well consolidated global circulation Orbis Litterarum, edited at the University of Southern Denmark, has a distinguished publication record of original articles in English, German and French by scholars from all over the world on specific literary works as well as on more general aspects of literature. Not affiliated to any particular approach to literature or specialization and editorially independent of any private or public interests, Orbis Litterarum serves outstanding achievement in literary scholarship, criticism and theory.

Orbit is a peer-reviewed, open-access journal of contemporary American fiction from the second
half of the twentieth century to the present. We publish special and general issues in a rolling
format, which brings together a traditional journal article style with the latest publishing
technology to ensure faster, yet prestigious, publication for authors.

Oxford German Studies is a fully refereed journal, and publishes in English and German, aiming to present contributions from all countries and to represent as wide a range of topics and approaches throughout German studies as can be achieved. The thematic coverage of the journal continues to be based on an inclusive conception of German studies, centred on the study of German literature from the Middle Ages to the present, but extending a warm welcome to interdisciplinary and comparative topics, and to contributions from neighbouring areas such as language study and linguistics, history, philosophy, sociology, music, and art history. The editors are literary scholars, but seek advice from specialists in other areas as appropriate. OGS was founded in 1965 by Ernest Stahl, Peter Ganz, Malcolm Pasley, and Jim Reed to promote the study of German language and literature from the Middle Ages to the present day. At least one issue per volume is a collection of articles on a range of diverse subjects in the familiar format, and one is usually a themed issue addressing a particular subject, author, or period. The third issue varies between general and themed issues from year to year. .

Oxford Literary Review, founded in the 1970s, is Britain's oldest journal of literary theory. It is concerned especially with the history and development of deconstructive thinking in all areas of intellectual, cultural and political life. In the past, Oxford Literary Review has published new work by Derrida, Blanchot, Barthes, Foucault, Lacoue-Labarthe, Nancy, Cixous and many others, and it continues to publish innovative and controversial work in the tradition and spirit of deconstruction.Buy a single copy of Oxford Literary Review Magazine or a subscription of your desired length. If you choose the current issue before 3pm, we will even send it out the same day, first class.

Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and key figures in modern critical theory.

Founded in 1995, parallax has established an international reputation for bringing together outstanding new work in cultural studies, critical theory and philosophy. parallax publishes themed issues that aim to provoke exploratory, interdisciplinary thinking and response. Each issue of parallax provides a forum for a wide spectrum of perspectives on a topical question or concern. parallax will be of interest to those working in cultural studies, critical theory, cultural history, philosophy, gender studies, queer theory, post-colonial theory, English and comparative literature, aesthetics, art history and visual cultures.Guest Editions:parallax regularly publishes issues compiled by guest-editors. Potential guest-editors should make an initial proposal to the editors including a title, thematic outline and suggested contributors. DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.