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New Literary History focuses on questions of theory, method, interpretation, and literary history. Rather than espousing a single ideology or intellectual framework, it canvasses a wide range of scholarly concerns. By examining the bases of criticism, the journal provokes debate on the relations between literary and cultural texts and present needs. A major international forum for scholarly exchange, New Literary History has received six awards from the Council of Editors of Learned Journals.

The first independent journal of its kind in the world, New Writing publishes both critical and creative work - offering a forum for debate, as well as an avenue for the publication of the best stories, poems, works of creative non-fiction or works for the stage or for the screen, in all its contemporary varieties. New Writing investigates the nature of Creative Writing practice and practice-led research in Creative Writing. It publishes key articles about Creative Writing, specifically relating to Creative Writing activities in universities and colleges, articles on the processes of creative writers, and about the "footprints" left by Creative Writing practice throughout history, and in various cultures. And it bridges the gap between Creative Writing in the university and Creative Writing in the wider world. It links Creative Writing pedagogy with key investigations in Creative Writing knowledge. Since its launch, the journal has attracted great support from a wide range of those involved in Creative Writing throughout the world, and has already included contributions from leading experts and prominent creative writers, including Robert Pinsky and Anthony Minghella. In 2006, the journal warmly welcomed the Poet Laureate of Great Britain, Andrew Motion, to its Board. New Writing offers an international forum for Creative Writing of the highest quality and a platform for debates about Creative Writing teaching and practice in universities and colleges.The Editor and Editorial/Peer Review Boards invite submissions of critical articles and creative work in any of the areas mentioned above, and in all genres. Articles should be between 2,000 and 5,000 words in length; creative work should be not be more than 5,000 words in length. Refereeing proceduresAll submissions to New Writing are subject to peer review.DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Nineteenth-Century Contexts is committed to interdisciplinary recuperations of 8220;new8221; nineteenth centuries and their relation to contemporary geopolitical developments. The journal challenges traditional modes of categorizing the nineteenth century by forging innovative contextualizations across a wide spectrum of nineteenth century experience and the critical disciplines that examine it. Articles not only integrate theories and methods of various fields of inquiry 8212; art, history, musicology, anthropology, literary criticism, religious studies, social history, economics, popular culture studies, and the history of science, among others 8212; but also test and open up the very limits of disciplinary boundaries. Scope of interest is not confined to any single regional or cultural area, and the relevance of the nineteenth centuries we read about to contemporary political flashpoints around the world remains a top priority. Interdisciplinary, international and innovative, Nineteenth-Century Contexts is leading debate about where the next nineteenth centuries will occur.DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Nineteenth-Century French Studies provides scholars and students with the opportunity to examine new trends, review promising research findings, and become better acquainted with professional developments in the field. Scholarly articles on all aspects of nineteenth-century French literature and criticism are invited. Published articles are peer-reviewed to insure scholarly integrity. The journal has an extensive book review section covering a variety of disciplines.

Founded under the editorship of the antiquary W J Thoms, the primary intention of Notes and Queries was, and still remains, the asking and answering of readers' questions. It is devoted principally to English language and literature, lexicography, history, and scholarly antiquarianism.Each issue focuses on the works of a particular period, with an emphasis on the factual rather than the speculative. The journal comprises notes, book reviews, readers' queries and replies.

Founded in 1961, Nottingham French Studies publishes articles in English and French and themed special numbers covering all of the major fields of the discipline – literature, culture, postcolonial studies, gender studies, film and visual studies, translation, thought, history, politics, linguistics – and all historical periods from medieval to the 21st century. The journal’s Editorial Board is composed of the members of the Department of French and Francophone studies at the University of Nottingham, supported by an international Advisory Board. Through the publication of general and special numbers covering a range of thematic and theoretical perspectives, the journal aims to represent established as well as new and emerging areas of research in the field of French studies.

Novel is the official journal of the Society for Novel Studies. Widely acknowledged as the leading journal in its field, Novel publishes essays concerned with the novel's role in engaging and shaping the world. To promote critical discourse on the novel, the journal publishes significant work on fiction and related areas of research and theory. Recent issues on the early American novel, eighteenth-century fiction, and postcolonial modernisms carry on Novel's long-standing interest in the Anglo-American tradition.

At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard. .

Orbis Litterarum is an international journal devoted to the study of European, American and related literature. Orbis Litterarum publishes Peer reviewed, original articles on matters of general and comparative literature, genre and period, as well as analyses of specific works bearing on issues of literary theory and literary history. Orbis Litterarum: International Review of Literary Studies was founded in 1943 as a journal devoted to the study of literature in international and comparative perspectives. With a well consolidated global circulation Orbis Litterarum, edited at the University of Southern Denmark, has a distinguished publication record of original articles in English, German and French by scholars from all over the world on specific literary works as well as on more general aspects of literature. Not affiliated to any particular approach to literature or specialization and editorially independent of any private or public interests, Orbis Litterarum serves outstanding achievement in literary scholarship, criticism and theory.

Orbit is a peer-reviewed, open-access journal of contemporary American fiction from the second
half of the twentieth century to the present. We publish special and general issues in a rolling
format, which brings together a traditional journal article style with the latest publishing
technology to ensure faster, yet prestigious, publication for authors.