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As one of the foremost journals in the field of classical antiquity, Mnemosyne focuses on all aspects of the ancient world, including inscriptions, papyri, language, religion and philosophy. Since its first appearance in 1852, as a journal of textual criticism, Mnemosyne has been securing its position as one of the world's leading journals in its field. It's position is built on the thorough and famous Dutch academic tradition. Authors around the world contribute to Mnemosyne which results in a unique and special combination of European and American visions. Its presence in libraries around the globe is a sign of its continued success as an invaluable resource material. Featuring primarily English articles, Mnemosyne also contains an extensive Book Review Section and the worldwide famous 'Miscellanea' section (short articles on particular excerpts). The Book Review Section does not focus at one single field, but utilizes a multidisciplinary approach.

Modern Chinese Literature and Culture (ISSN # 1520-9857), formerly Modern Chinese Literature (1984–1998), is a peer-reviewed scholarly journal devoted to the culture of modern and contemporary China, with China understood not in the narrow, political sense (e.g., People's Republic of China), but in the sense of Greater China (e.g., Hong Kong, Taiwan, PRC, and the Chinese diaspora). The journal publishes on literature of all genres, film and television, popular culture, performance and visual art, print and material culture, etc. MCLC is edited by Kirk A. Denton at the Department of East Asian Languages and Literatures, The Ohio State University. MCLC is listed in the Arts and Humanities Citation Index. Beginning in fall 2003, book reviews no longer appear in the print journal; instead, they are published on the MCLC Resource Center, a website devoted to modern China cultural studies and affiliated with the journal. Information on book review submission can be found in the #!#!Submission#!#! page at the MCLC website. The MCLC Resource Center also has an online publication series that complements the publications in the print journal.

Modern Drama was founded in 1958 and is the most prominent journal in English to focus on dramatic literature. The terms, "modern" and "drama," are the subject of continuing and fruitful debate, but the journal has been distinguished by the excellence of its close readings of both canonical and lesser known dramatic texts through a range of methodological perspectives. The journal features refereed articles that enhance our understanding of plays in both formal and historical terms, largely treating literature of the past two centuries from diverse geo-political contexts, as well as an extensive book review section. Published quarterly.

Modern Fiction Studies publishes engaging articles on prominent works of modern and contemporary fiction. Emphasizing historical, theoretical, and interdisciplinary approaches, the journal encourages a dialogue between fiction and theory, publishing work that offers new theoretical insights, clarity of style, and completeness of argument. Modern Fiction Studies alternates general issues dealing with a wide range of texts with special issues focused on single topics or individual writers.

Over a century ago, MLN pioneered the introduction of contemporary continental criticism into American scholarship. Its reputation for high standards and excellent quality continue into the new millennium. Critical studies in the modern languages (Italian, Hispanic, German, French) and recent work in comparative literature are the basis for the articles and notes in MLN. The journal publishes four single-language issues and one comparative literature issue.

The focus of MLQ is on change, both in literary practice and within the profession of literature itself. MLQ is open to papers on literary change from the Middle Ages to the present and welcomes theoretical reflections on the relationship of literary change or historicism to feminism, ethnic studies, cultural materialism, discourse analysis, and all other forms of representation and cultural critique. Seeing texts as the depictions, agents, and vehicles of change, MLQ targets literature as a commanding and vital force.

Concentrating on the period extending roughly from 1860 to the present, Modernism/Modernity focuses on the methodological, archival, and theoretical exigencies particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue between social scientists and humanists about the history of modernism and its relations tomodernization. Each issue features a section of thematic essays as well as book reviews and a list of books received. Modernism/Modernity is now the official journal of the Modernist Studies Association.

MELUS, a prestigious and rigorous journal in the field of multi-ethnic literature of the United States, has been a vital resource for scholarship and teaching for more than thirty years. Published quarterly, MELUS illuminates the national, international, and transnational contexts of U.S. ethnic literature. Articles in MELUS also engage newly emerging art forms such as graphic narrative and internet blogs, as well as multi-ethnic film, history, and culture. By including interviews with well established authors such as Maxine Hong Kingston and Richard Rodriguez, as well as more recent writers such as Junot Díaz, Cynthia Kadohata, and Diana Abu-Jaber, MELUS plays a pivotal role in the field of U.S. Ethnic Literature and is an indispensable resource for students, teachers, and scholars.

Narrative is the official journal of The Society for the Study of Narrative Literature, the association for scholars interested in narrative. Narrative's broad range of scholarship includes the English, American, and European novel, nonfiction narrative, film, and narrative as used in performance art.

Narrative Inquiry is devoted to providing a forum for theoretical, empirical, and methodological work on narrative. Articles appearing in Narrative Inquiry draw upon a variety of approaches and methodologies in the study of narrative as a way to give contour to experience, tradition, and values to next generations. Particular emphasis is placed on theoretical approaches to narrative and the analysis of narratives in human interaction, including those practiced by researchers in psychology, linguistics and related disciplines.

Neophilologus is an international journal peer-reviewed devoted to the study of modern and mediaeval language and literature, including general linguistics, literary theory and comparative literature. The normal languages of publication are English, French, German, Italian and Spanish, but articles in other languages may also be submitted for consideration by the Editorial Board.