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Corpus Linguistics and Linguistic Theory is a newly founded, peer-reviewed journal publishing high-quality original corpus-based research focusing on theoretically relevant issues in all core areas of linguistic research (phonology, morphology, syntax, semantics, pragmatics), or other recognized topic areas.

The well-established Creativity Research Journal publishes high quality, scholarly research capturing the full range of approaches to the study of creativity--behavioral, clinical, cognitive, cross-cultural, developmental, educational, genetic, organizational, psychoanalytic, psychometric, and social. Interdisciplinary research is also published, as is research within specific domains such as art and science, as well as on critical issues such as aesthetics, genius, imagery, imagination, incubation, insight, intuition, metaphor, play, and problem finding and solving. Integrative literature reviews and theoretical pieces that appreciate empirical work are welcome, but purely speculative articles will not be published.Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Crime, Media, Culture is a peer reviewed, international journal providing a vehicle for scholars working at the intersections of criminological and cultural inquiry. It promotes a broad cross-disciplinary understanding of the relationship between crime, criminal justice, media and culture. The journal explores a range of media forms (including traditional media, new and alternative media, and surveillance technologies) and has a special focus on cultural criminology and its concerns with image, representation, meaning and style. While CMC embraces submissions across a range of research perspectives and methodological orientations, CMC encourages especially work that develops cultural, critical, and qualitative understandings of the crime, media, culture nexus.

Rationale The philosophy of crime and criminal law has been undergoing a renaissance.Increasing numbers of lawyers and philosophers are researching, writing and teaching in the area. Lawyers who are exploring theoretical issues related to criminal liability and punishment find that they must turn to philosophy. Philosophers recognise the importance of the criminal law as a focus for both analytical and normative inquiry. The practical importance of the subject is also obvious, especially at a time when western governments are having to reconsider their rationales for criminalization and sentencing in the light of substantial changes in criminal justice systems and their social contexts. Until recently, there was no journal solely devoted to the philosophy of crime and criminal law. Criminal Law and Philosophy fills this gap, and provides a platform for the high quality work that is being done in this area. High quality content: specific and inclusive in scope Criminal Law and Philosophy aims to publish high quality articles that take a philosophical perspective on any issues in the broad field of crime and punishment. The main areas and topics include: crime and criminalization: the content, principles and structure of substantive criminal law: criminal justice and the criminal process: punishment and sentencing. The journal is inclusive in its scope: it publishes articles with a historical focus on earlier philosophical discussions of crime and punishment, as well as articles with a more contemporary focus. It seeks contributions from a range of philosophical schools and approaches, in particular both from analytically oriented philosophers and from those who draw more on contemporary continental philoshophy. Readership Criminal Law and Philosophy is becoming essential reading for academics in philoso, phy, in law and in criminology who take a philosophically informed critical, analytical or normative approach to the criminal law and criminal justice. It is also an important resource for students in those subjects, and for practitioners with an interest in philosophical approaches to their practice. Through this journal, readers can access the latest thinking by the best scholars in the philosophy of crime and punishment. Editorial Board The editors, editorial board and advisors constitute an impressive, international group of leading scholars working in the philosophy of crime and punishment. They represent a variety of systems of criminal law, including systems that cross national boundaries.

Critical Arts Call for PapersOf the early issues dating from 1980 Ntongela Masilela observed that Critical Arts was coterminous with the awakening of the historical consciousness that the practice of cultural studies could facilitate in securing the demise of apartheid. He concluded that 8220;This monumental undertaking is evident on practically every page of Critical Arts8221;. Seminal authors who lent their intellectual labour to the early Critical Arts Project included JM Coetzee, Nadine Gordimer, Andre Brink and later Stuart Hall, Tom O'Regan, Ian Ang and Handel Kashope Wright, amongst many others. Masilela continued, 8220;On the eve of the fall of apartheid these and other scholars were engaging 8220;with the intersection of Marxism, race, representation and feminism in an attempt to create new epistemologies8221; (in Denzin, N. Cultural Studies: A Research Volume, Vol 5, 2000). Ioan Davies wrote in Border/lines (1985/6), 8220;Critical Arts's nervousness about what stance would be appropriate to coming to terms with culture in Africa seems to be perfectly in tune with anyone's nervousness with coming to terms with Africa8221;. The early contributions can be accessed via the Michigan State University eJournals project: http://digital.lib.msu.edu/projects/africanjournals/Critical Arts examined the relationship between texts and contexts, cultural formations and popular forms of expression, mainly in the Third World. After 1994, Critical Arts repositioned itself in the South-North nexus, developing the transdisciplinary epistemologies mentioned by Masilela, but now in conjunction with globally seminal scholars and transnational conceptual trajectories, again with the nervousness identified by Davies. Critical Arts interprets cultural studies as a form of praxis, of experience, and of strategic intervention. How does one explain the contradictions, the opposing ir/rationalities, the fracturing of logics which so brutally feed political solidarities at any cost? The exigencies of being under fire make it hard to find the discursive space in which participants can catch enough breath to speak the truths of their own participation. Our journal seeks to profile those approaches to issues that are amenable to a cultural studies-derived intervention, on the basis that `culture' is a marker of deeper continuities than the immediate conflicts under the fire of which so many must somehow live their lives. They must, perhaps, restore the vision of earlier theorists and historians, for whom `culture' was a kind of synthesis arising from the contradictions between human society and the politics of nations. Under the pressures of globalization, this kind of understanding becomes more relevant at every turn.The journal is rigorously peer reviewed and aims to shape theory on the topics it covers. Cutting edge theorisation (supported by empirical evidence) rather than the reporting of formulaic case studies are preferred as submissions. Our editorial board has consisted of African studies scholars (e.g., David Wiley, Maureen Eke), cultural studies luminaries (e.g., Stuart Hall, Larry Grossberg, Daniel Mato, John Hartley), influential media scholars (e.g., Paddy Scannell, Helge Ronning, Hopeton Dunn, Tom O'Regan), anthropologists (Dave Coplan, Lesley Green), and literary scholars (Ken Harrow) amongst many others drawn from African institutions also. Critical Arts' authors are Africans debating Africa with the rest; and the rest debating Africa and the South and with each other. Submissions are sought from both established and new researchers. Recent topics have included political economy of the media, political communication, intellectual property rights visual anthropology, dance and cultural studies in the Middle East.Keyan G Tomaselli Editor-in-ChiefCulture, Communication and Media StudiesUniversity of KwaZulu-NatalHoward College CampusDurban 4041, South AfricaFax: + 27-31-20-1519Tomasell@ukzn.ac.za DisclaimerTaylor & Francis and Unisa Press make every effort to ensure the accuracy of all the information (the "Content") contained in its publications. However, Taylor & Francis and Unisa Press and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, Unisa Press, or Taylor & Francis.

Critical Inquiry in Language Studies: An International Journal (CILS) is the peer-reviewed journal of the International Society for Language Studies. Language studies overlaps fields of applied linguistics, language policy, language planning, modern languages and literatures, education, anthropology, sociology, history, political science, psychology, and cultural studies (including related fields, such as law, media, and information technology).CILS focuses on critical discourse and research in language matters, broadly conceived, that is generated from qualitative, critical pedagogical, and emergent paradigms. In these paradigms, language is considered to be a socially constituted cultural construct that gives shape to, and at the same time is shaped by, the larger social, political, and historical contexts of its use. The primary purpose of the journal is to provide a forum for discussion of the research from such emerging paradigms and at the same time to bridge arbitrary disciplinary territories in which it is being done. Peer Review Policy: All research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous refereeing by three anonymous referees.Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Critical Military Studies

Aims & Scope

Critical Military Studies provides a rigorous, innovative platform for interdisciplinary debate on the operation of military power. It encourages the interrogation and destabilization of often taken-for-granted categories related to the military, militarism and militarization. It especially welcomes original thinking on contradictions and tensions central to the ways in which military institutions and military power work, how such tensions are reproduced within different societies and geopolitical arenas, and within and beyond academic discourse. Contributions on experiences of militarization among groups and individuals, and in hitherto underexplored, perhaps even seemingly ‘non-military’ settings are also encouraged. All submitted manuscripts are subject to initial appraisal by the Editor, and, if found suitable for further consideration, to double-blind peer review by independent, anonymous expert referees. The Journal also includes a non-peer reviewed section, Encounters, showcasing multidisciplinary forms of critique such as film and photography, and engaging with policy debates and activism.

We particularly encourage submissions on:
- The contributions of critical analysis to military studies
- Comparative and cross-national accounts of militaries, militarism and militarization
- Social, political, cultural and economic forms of authoritarianism, militarism and militarization 
- Race, Empire and Postcolonialism in military studies 
- Gendered and queer analyses 
- Disability and embodiment, including critical studies of military mental health and resilience
- Legacies of military occupation
- Geographies and landscapes of militarism and military activities
- Military strategy (including counter-insurgency and counter-terrorism)  
- Military atrocities
- Militias, paramilitary groups and private militarised security
- Child soldiers and military youth programs
- Military-industrial-complex
- Conscientious objection, war resistance and peace movements 
- Disaster relief, military humanitarianism, peacekeeping and reconstruction
- Military education and cadets
- Military families
- Social relations in military bases and base towns 
- Science, technology and medicine in militaries and militarism
- Representation and the cultural (re)production of war, violence and militarism
- The challenges and opportunities of critical engagement and collaboration with military personnel
- Veterans and ex-combatants
- New and critical methodologies in critical military studies