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Visual Communication is a quarterly, peer-reviewed academic journal publishing top research in visual studies. It welcomes contributions from scholars in anthropology, sociology, history and scientific research. Articles cover still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; and the role of the visual in relation to language, music, sound and action.

Visual Communication Quarterly (VCQ) is an international, peer-reviewed journal of theory, research, practical criticism, and creative work in all areas of visual communication. Our goal is to promote an inclusive, broad discussion of all things visual, while also encouraging synthesis and theory building across our fascinating field of study. We define "visual" in the broadest sense of the word -- from dreams and cognitive theory through gesture and geography, as well as issues concerning visual ethics, visual ecology, representation, visual media in all forms, and visual behavior. Methods range from tightly controlled quantitative studies through critical analysis, essays, qualitative scholarship, and creative art. We also print numerous single images and portfolios as well as multimedia work on our Web site, a rarity among academic journals. VCQ, the official publication of the Visual Communication Division of the Association for Education in Journalism and Mass Communication, has published regularly since 1994. For 11 years, VCQ was distributed to more than 10,000 professionals and scholars through News Photographer magazine of the National Press Photographers Association. Our mission has broadened beyond visual journalism, design, and media to address the need for a publication encompassing the complex and wide-ranging field of visual communication and visual studies across media, art, and science. Our new format and distribution system not only allow us to publish more articles and creative work, while maintaining rigorous peer review, but also facilitate international access of articles and images through on-line databases. For additional information about VCQ, as well as resources in visual communication, visit the journal's editorial Web site: www.vcquarterly.org. Peer Review PolicyAll research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous refereeing by two anonymous referees.Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Published quarterly since 1937, the Western Journal of Communication is one of two scholarly journals of the Western States Communication Association (WSCA). The journal is dedicated to the publication of original scholarship that enhances our understanding of human communication. Diverse theoretical and methodological perspectives are welcome. WJC's longstanding commitment to multiple approaches, perspectives, and issues is reflected by its history of publishing research across rhetorical and media studies, interpersonal and intercultural communication, critical and cultural studies, language behavior, performance studies, small group and organizational communication, freedom of speech, and health and family communication. Research accessible to both scholarly audiences and the learned public is strongly encouraged.Please submit manuscripts electronically at http://mc.manuscriptcentral.com/rwjc. The Western Journal of Communication typically does not publish manuscripts over 9,000 words, and submissions that exceed 10,000 words will be returned to the author without review. Individuals who have Regular or Exchange member subscriptions to the journals of the Eastern Communication Association, Central States Communication Association, Western States Communication Association, and the Southern States Communication Association may register for online access to the access to the journals herePeer Review Policy:All articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous critique by at least two referees.Publication Office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Westminster Papers in Communication and Culture (WPCC) wishes to engage international scholars in a critical debate about the relationship between communication, culture and society in the 21st century.

WPCC is a peer-reviewed journal, published online. The interdisciplinary nature of the field of Media and Cultural Studies is reflected in the diverse methods, contexts and themes of the papers published. Areas of interest include – but are not limited to – the history and political economy of the media, popular culture, media users and producers, political communication and developments arising from digital technologies in the context of an increasingly globalized and networked world.

Contributions from both established scholars and those at the beginning of their academic career are equally welcome.

Women's Studies in Communication provides a feminist forum for research, reviews, and commentary that advance our understanding of the relationships between communication and women, gender, sexuality, and feminism. WSIC is committed to publishing essays that address the intersection of gender, power, class, race, ethnicity, nationality and transnationalism. Scholarship that empowers women and other marginalized groups is especially welcomed. WSIC is topically and methodologically inclusive, publishing manuscripts from quantitative, qualitative, and critical perspectives in areas including but not limited to interpersonal and organizational communication, rhetorical criticism and theory, and media and cultural studies. The editor simultaneously is committed to publishing the best scholarship within these parameters and to encouraging the development of novice scholars. Authors are encouraged to prepare their manuscripts so that they are accessible to a general intellectual audience and should avoid the use of gender-biased language. WSIC also includes a "Conversation and Commentary" section. Please direct inquires to the editor. Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Written Communication (WC), peer-reviewed and published quarterly, is a broad, interdisciplinary, and essential journal for research on the study of writing in all its symbolic forms. It reports on what writing is, how writing gets done, and what writing does in the world, consistently providing readers with new research findings, new theoretical concepts, and new ways of understanding how writing is practiced in schools, workplaces, and communities.

Photographies seeks to construct a new agenda for theorising photography as a heterogeneous medium that is changing in an ever more dynamic relation to all aspects of contemporary culture. Photographies aims to further develop the history and theory of photography, considering new frameworks for thinking and addressing questions arising from the present context of technological, economic, political and cultural change. Photographies investigates the contemporary condition and currency of the photographic within local and global contexts. The editors seek research papers and innovative visual essays, shorter papers engaging new debates, review essays evaluating publications, cultural events, key developments, exhibitions and conferences. Photographies aims to: - establish a sustained and dynamic forum for the development of the history and theory of photography, - consider new frameworks for thinking and addressing questions arising from digital technologies and economic, political and cultural change, - examine contemporary uses and currencies of the photographic within local and global contexts, - identify, develop and discuss emergent critical debates and practices, - publish work in the humanities and social sciences which has a bearing upon our understanding of photography thereby locating debate within a wider community. Disclaimer: Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.