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Special Issue - A Tribute to Helene E. Roberts 'Second Hand Images': On Art's Surrogate Means and Media - Part I: The Art Press and Photography Visual Resources: An International Journal of Documentation is devoted to the study of images and their uses. While images of architecture and works of art constitute its main focus, it also includes other subjects and contexts in a wide range of formats. Its scope delves into the past and looks toward the future, revealing how images have influenced the perception of art and how the interpretation of images conditions and enhances academic disciplines such as archaeology, history, and particularly art and architectural history. Visual Resources explores how visual language is structured and visual meaning communicated and also illustrates how picture collections are acquired, organized, indexed, and preserved. VR examines early attempts to document the visual, reports on the state of visual resources, assesses the effect of electronic technology on current and future uses, and provides a platform for reporting innovative ways to organize and access visual information - while aiming to increase the recognition and appreciation of visual documentation. Over the years, VR has published articles about verbal descriptions of art and architecture; copies, casts, and facsimiles; drawings, paintings, and prints; photography; library, archive, and museum collections; iconography; and computers and electronic imagery - and how these have functioned as documents of art and culture. Disclaimer: Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Visual Studies is a major international peer-reviewed journal published on behalf of the International Visual Sociology Association. The journal publishes visually-oriented articles across a range of disciplines, and represents a long-standing commitment to empirical visual research, studies of visual and material culture, the development of visual research methods and the exploration of visual means of communication about social and cultural worlds. Visual Studies is a key resource for all disciplines that engage with images, society and culture, and sets the standard for the scholarly use of visual material.The multidisciplinary character of the journal is reflected in its attention to visually-based research in sociology, anthropology, cultural and media studies, documentary film and photography, information technology, education, communication studies as well as other fields concerned with image-based study.The aims of Visual Studies are to: Provide an international forum for the development of visual research.Promote acceptance and understanding of a wide range of methods, approaches and paradigms that constitute image-based research.Reduce the disparity in emphasis between visual and written studies in the social sciences.Promote an interest in developing visual research methodology in all its various forms.Encourage research that employs a mixture of visual methods and analytical approaches within one study.Critically reflect and contribute to the dialogue surrounding 8216;the visual' across the social sciences and humanities.Provide an arena for in-depth exploration of various approaches, particular methods, themes and visual phenomena. Most articles published in the journal are accompanied by appropriate visual material, and the journal encourages visually-led submissions.An article indexTo access discussion on topics covered in Visual Studies please join the IVSA Mailing List.This service aims to create a forum for the discussion of visual meaning, in which scholars and practitioners in any field might feel welcome. In particular we invite, sociologists, anthropologists, communications scholars, education practitioners and researchers, historians, photographers, photo-journalists, and psychologists to participate.To subscribe to IVSA, mail listserv@pdomain.uwindsor.cawith no subject, and the line:subscribe ivsa 'your name'in the body of the e-mail. You will receive instructions on mailing to the list, as well as some basic mail list commands.Members of the IVSA are eligible for a reduced rate subscription to Visual Anthropology. The rate is $40 for 5 issues. Please click here for further information about the journal www.tandf.co.uk/journals/titles/08949468.aspPeer Review Policy:Research articles published in Visual Studies have undergone peer review. After initial screening by the editor for quality and fit with the journal' objectives, papers are reviewed by at least two anonymous referees with appropriate specialist knowledge.Disclaimer for scientific, technical and social science publications:Taylor & Francis and International Visual Sociology Association makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and International Visual Sociology Association and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis, the Editor or International Visual Sociology Association.

• to provide for the continuing professional development of practitioners in the field  through the publication of pragmatic articles outlining useful methods and approaches to a variety of problems in voice and speech training;
• to foster a scholarly and intellectually rigorous approach within the profession;
• to provide an outlet for the publication of scholarly research, and to stimulate new research;
• to provide an open forum for discussion of ideas and opinions related to the profession;
• to encourage good vocal hygiene and healthful vocal use through the dissemination of practical, up-to-date, and accurate information;
• to promote communication and collaboration with allied professions and disciplines;
• to promote discussion toward the refinement of professional standards and practices; and
• to promote international perspectives in the training of voice and speech.

Voice and Speech Review is a peer-reviewed journal. All peer review is double blind and detailed Instructions for Authors can be found here.

Since the first issue was published in 1984, Wasafiri has always opened minds and crossed literary worlds. The magazine remains key in mapping new literary landscapes and offering the best of contemporary international writing today, consistently featuring Britain's diverse cultural heritage whilst also highlighting the vast range of worldwide diasporic and migrant literature. 'Wasafiri', the Kiswahili word for travellers, captures our ethos: to travel the world via the word to extend and challenge the established boundaries of literary culture. Wasafiri gives particular prominence to those whose literary and historical concerns do not necessarily fit within the confining rubrics of any one particular movement, tradition, or culture. One of the UK's first publications to have provided a sustained outlet for new writing, it has contributed to the emergence of many now established voices and offers a dynamic context for dialogue and critical debate. The quarterly magazine draws widely across modern culture and the arts, publishing a lively and informed mix of fiction, poetry, interviews, essays and reviews by both well-known and rising names. As such, Wasafiri provides a unique forum for those keen to explore the geographies and contours of new and emerging literary worlds. Last year Wasafiri celebrated its 25th anniversary with a series of cutting edge live events including renowned literary names and some of the best up and coming voices, whilst the magazine's New Writing Prize discovered some exciting new creative writers. As we move into our next quarter century, Wasafiri looks forward to renewing its commitment to 'celebrating the best of tomorrow's writers today'. Visit the Wasafiri website at www.wasafiri.org.DisclaimerWasafiri and Taylor & Francis make every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Wasafiri, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, Wasafiri and Taylor & Francis.

Free articles - click here to view a list of the latest free articles available from Water InternationalWater International is the official journal of the International Water Resources Association (IWRA), founded in 1972 to serve as an international gateway to the people, ideas and networks that are critical to the sustainable management of water resources around the world. Water International's articles, state-of-the-art reviews and technical notes are policy-relevant and aimed at communicating in-depth knowledge to a multidisciplinary and international community. Water International publishes both individual contributions and sets of papers on cutting edge issues. Disclaimer The International Water Resources Association (IWRA) and Taylor & Francis make every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, IWRA and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Society or Taylor & Francis.

Publication office: Taylor & Francis, Inc., 530 Walnut Street, Suite 850, Philadelphia, PA 19106

West European Politics (WEP)has established itself as one of the most authoritative journals covering political and social issues in Western Europe. It has a substantial reviews section and coverage of all national elections in Western Europe. Its comprehensive scope, embracing all the major political and social developments in all West European countries, including the European Union, makes it essential reading for both political practitioners and academics. Award The Vincent Wright Memorial Prize was established in 1999 to honour the memory of Vincent Wright, co-founding editor of West European Politics. Two prizes are awarded annually on the recommendation of members of the Editorial Advisory Board for the best articles published in WEP during the preceding year. 2010 Winners Announced Peer Review All research articles in this journal have undergone rigorous peer review, based on editor screening and anonymized refereeing by anonymous referees. Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Published quarterly since 1937, the Western Journal of Communication is one of two scholarly journals of the Western States Communication Association (WSCA). The journal is dedicated to the publication of original scholarship that enhances our understanding of human communication. Diverse theoretical and methodological perspectives are welcome. WJC's longstanding commitment to multiple approaches, perspectives, and issues is reflected by its history of publishing research across rhetorical and media studies, interpersonal and intercultural communication, critical and cultural studies, language behavior, performance studies, small group and organizational communication, freedom of speech, and health and family communication. Research accessible to both scholarly audiences and the learned public is strongly encouraged.Please submit manuscripts electronically at http://mc.manuscriptcentral.com/rwjc. The Western Journal of Communication typically does not publish manuscripts over 9,000 words, and submissions that exceed 10,000 words will be returned to the author without review. Individuals who have Regular or Exchange member subscriptions to the journals of the Eastern Communication Association, Central States Communication Association, Western States Communication Association, and the Southern States Communication Association may register for online access to the access to the journals herePeer Review Policy:All articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous critique by at least two referees.Publication Office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Whiteness and Education publishes outstanding and original manuscripts that advance critical understandings of the construction and deployment of Whiteness in educational contexts. This includes, but is not limited to, critical discussions of White racism, White identity, privilege, power and intersectionality.

 The journal welcomes papers that present that present empirical studies of Whiteness in education and/or advance theoretical and conceptual understanding of Whiteness in Education, via recognized qualitative and/or quantitative approaches and papers that challenge conventional methodologies. Papers may reflect any disciplinary background but must include a principal focus on education. Critically reflective pieces by White scholars, which are explicit in how they contribute to an anti-racist agenda, will be considered.

Women & Performance: a journal of feminist theory seeks scholarly essays on performance, dance, film, new media, and the performance of everyday life from interdisciplinary feminist perspectives. We encourage dialogues between varied fields of performance scholarship (i.e., performance studies; theatre, dance, and music history and criticism; ethnography; cinema and cultural studies; as well as queer and post-colonial theory), and explore critiques of race, ethnicity, class, sexuality, technology, and nation. The journal is a peer-reviewed, tri-annual publication with forthcoming special issues on topics as diverse as the role of women in the fluxus art movement, women in international politics, and transbiology. We encourage general submissions that foreground themes of gender and performance and proposals for special issues that address topics within feminism and performance studies. NEW SECTION We are pleased to introduce a new section, simply titled '&,' to the regular table of contents of Women & Performance. This section features a wide array of critical engagements that move beyond the invaluable, but nonetheless narrowly conceived, work of the 7,000-word, peer-reviewed, scholarly article. In '&,' you'll find artists' statements, polemics, review essays, performance texts, manifestoes, feminist and queer takes on current events and debates, and other modes of intellectual production that are too wily to conform to the standard model of academic publishing or that perform feminist theory along different lines of flight, at different speeds, in rogue forms. We are continuing to curate submissions for this section. If you have questions, or items you'd like us to consider, please contact managingeditor@womenandperformance.org. ABOUT US Women & Performance was founded in 1983 by graduate students in the Department of Performance Studies at New York University's Tisch School of the Arts. Since its inception the journal has operated as a feminist collective. After self-publishing for 23 years, Women & Performance was acquired by Routledge, Taylor & Francis. For further information please visit our website at www.womenandperformance.org or contact: Women & Performance 665 Broadway, Suite 665 New York, NY 10012 USA PEER REVIEW POLICY All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees. Disclaimer: Taylor & Francis and Women & Performance Project Inc. makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and Women & Performance Project Inc. and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis, the Editor or Women & Performance Project Inc.

Special Issue: Human Sex Trafficking Women & Criminal Justice is the only periodical devoted specifically to scholarly interdisciplinary and international research on all concerns related to women and criminal justice. It provides scholars with a single forum devoted to this critical specialty area in the fields of criminal justice, human rights, law, politics, sociology, social work, and women's studies. Both qualitative and quantitative studies are welcomed, as are studies that test theories about women as victims, professionals and offenders. The journal is refereed and features original research articles from academicians and professionals in the field that reflect its interdisciplinary and international focus, such as: * cross-cultural studies on gender, race, ethnicity, and criminal justice * socio-legal and historical studies on gender and crime and victimization * gender studies on women professionals * theory pertaining to women and criminal justice * women and the law * women in crime and punishment literature * women as victims of rape, incest, battering, stalking and sexual harassment * women and human trafficking * implications of legally mandated change for professionals, victims, and offenders * juvenile females in the criminal justice system * women in criminal justice professions, including academia * incarcerated women (legal rights, programs, pregnancy, AIDS, children of incarcerated women, aged and infirm, women on death row) * legal restraints on improving the conditions for women in the criminal justice system * international efforts to respond to the needs of women in the criminal justice system. Women & Criminal Justice periodically presents commentaries where authors exchange ideas and discuss methodological issues and present reports of ongoing research and research findings. A summary of the laws and court cases that pertain to women will also be presented. Special thematic issues have covered such topics as the criminalization of a woman's body and women and domestic violence; a special theme on human trafficking is currently in process. Peer Review Policy: All research articles in this journal have undergone rigorous peer review; there is anonymous refereeing by two (and sometimes three) anonymous referees. If manuscripts are given a revise and resubmit status, then there is editorial screening and a second review by the anonymous reviewers. If a manuscript is given a qualified acceptance (accept with minor changes), then there is editorial screening to ensure that the changes were made before acceptance.

* issues in the process of therapy with female clients * problems in living that affect women in greater proportion than men, such as depression, eating disorders, and agoraphobia * women's traditional and nontraditional roles in society and how these affect and can be affected by therapy * the special needs of minority women, lesbians, older women, and women with disabilities * the special needs of feminist therapists * effective interventions and alternatives to traditional treatment approaches. The high-quality articles in Women & Therapy will be of greatest interest to feminist therapists and health professionals; individuals who educate, supervise, or train therapists; individuals in training to become therapists; and feminist researchers and scholars who are interested in issues confronting women and therapy. Few areas in psychology and related health professions have developed as quickly in recent years as women and therapy. This journal investigates challenges in therapy such as: * gender differences and similarities as they relate to biological, personality, cognitive, and developmental factors * women as they enter new roles at work and in personal relationships * the change of attitudes by therapists in interacting with female clients in order to influence and incorporate the changes taking place in society. * the role of the media that has popularized these developments so that the consumer of therapy is better educated about women's issues than ever before. Women make up the overwhelming majority of clients in therapy, yet there has been little attention given to this fact in the training of therapists or in the professional literature. Women & Therapy is designed to fill this void of information. Peer Review Policy: All research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous refereeing by two anonymous referees.

Women's History Review is a major international journal whose aim is to provide a forum for the publication of new scholarly articles in the field of women's history. The time span covered by the journal includes the 19th, 20th and 21st centuries as well as earlier times. The journal seeks to publish contributions from a range of disciplines (for example, women's studies, history, sociology, cultural studies, literature, political science, anthropology, philosophy and media studies) that further feminist knowledge and debate about women and/or gender relations in history. The Editors welcome a variety of approaches from people from different countries and backgrounds. In addition to main articles the journal also publishes shorter Viewpoints that are possibly based on the life experiences, ideas and views of the writer and may be more polemic in tone. A substantial Book Reviews section is normally included in each issue. Peer Review Policy All research articles published in this journal have undergone rigorous peer reveiw, based on initial editor screening and anonymized refereeing by at least two anonymous referees. Disclaimer for scientific, technical and social science publications: Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Women's Studies provides a forum for the presentation of scholarship and criticism about women in the fields of literature, history, art, sociology, law, political science, economics, anthropology and the sciences. It also publishes poetry, film and book reviews. Books for review should be sent to the book review editors at the following address:Claremont Graduate University Department of English, Blaisdell House143 East Tenth StreetClaremont, CA 91711Claremont Graduate University, Claremont, CAPeer Review Policy:All articles in this journal have undergone editorial screening and peer review.Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Women's Studies in Communication provides a feminist forum for research, reviews, and commentary that advance our understanding of the relationships between communication and women, gender, sexuality, and feminism. WSIC is committed to publishing essays that address the intersection of gender, power, class, race, ethnicity, nationality and transnationalism. Scholarship that empowers women and other marginalized groups is especially welcomed. WSIC is topically and methodologically inclusive, publishing manuscripts from quantitative, qualitative, and critical perspectives in areas including but not limited to interpersonal and organizational communication, rhetorical criticism and theory, and media and cultural studies. The editor simultaneously is committed to publishing the best scholarship within these parameters and to encouraging the development of novice scholars. Authors are encouraged to prepare their manuscripts so that they are accessible to a general intellectual audience and should avoid the use of gender-biased language. WSIC also includes a "Conversation and Commentary" section. Please direct inquires to the editor. Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Women's Writing is a fully refereed international journal focusing on women's writing up to the end of the long nineteenth century. The Editors welcome theoretical and historical perspectives, and contributions that are concerned with gender, culture, race and class. The aim of the journal is to open up a forum for dialogue, discussion and debate about the work of women writers, and hopes to reflect the diversity of scholarship that can be brought to bear on this area of study. To see a comprehensive list of all Women's Writing articles (including forthcoming material) please click here.DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Women: a cultural review explores the role and representation of gender and sexuality in arts and culture, with a particular focus on the contemporary world. The journal analyses the theory and politics of sexual difference in literature, the media, history, education, law, philosophy, psychoanalysis and the performing and visual arts. The journal has two Special Issues a year, and one Open Forum. In addition to articles, each issue has a substantial review section and a listings section for new and recent titles in the field of gender and culture. The journal also regularly features interviews with figures who have made particularly significant interventions in current debates about gender and feminism. Articles are invited for Special Issues and the Open Forum from both male and female contributors. Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Word & Image concerns itself with the study of the encounters, dialogues and mutual collaboration (or hostility) between verbal and visual languages, one of the prime areas of humanistic criticism. Word & Image provides a forum for articles that focus exclusively on this special study of the relations between words and images. Themed issues are considered occasionally on their merits. Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.