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"No philosophy journal published in English is more highly regarded than the Philosophical Review.” —David Sanford, Duke University In continuous publication since 1892, the Philosophical Review has a long-standing reputation for excellence and has published many papers now considered classics in the field, such as W. V. O. Quine's "Two Dogmas of Empiricism,” Thomas Nagel's "What Is It Like to Be a Bat?” and the early work of John Rawls. The journal aims to publish original scholarly work in all areas of analytic philosophy, with an emphasis on material of general interest to academic philosophers, and is one of the few journals in the discipline to publish book reviews.

For more than thirty years Theater has been the most informative, serious, and imaginative American journal available to readers interested in contemporary theater. It has been the first publisher of pathbreaking plays from writers as diverse as Athol Fugard, Sarah Kane, W. David Hancock, David Greenspan, Richard Foreman, Rinde Eckert, and Adrienne Kennedy. It has printed writings on theater by dramatists including Heiner Müller, Dario Fo, Mac Wellman, and Suzan-Lori Parks. Its special issues have covered many topics: theater and social change, children's theater, Soviet theater, theater and photography, paratheater, theater and revolution, and theater and the apocalypse.

Founded in 1983, World Policy Journal is a highly respected and widely cited forum on international relations. Articles pertinent to America's post-September 11 role in the world have dealt with the perils of going it alone, NATO's new role, the tentative partnership with Putin's Russia, Iran and its discontents, the threats posed by weapons of mass destruction, terrorism's money trail, and imperial America and the common interest. Published by the World Policy Institute and The MIT Press.

Extending beyond the postmodern, boundary 2 approaches problems of literature and culture from a number of politically, historically, and theoretically informed perspectives. boundary 2 remains committed to understanding the present and approaching the study of culture and politics (national and international) through literature, philosophy, and the human sciences.

differences: A Journal of Feminist Cultural Studies first appeared in 1989 at the moment of a critical encounter--a head-on collision, one might say--of theories of difference (primarily Continental) and the politics of diversity (primarily American). In the ensuing years, the journal has established a critical forum where the problematic of differences is explored in texts ranging from the literary and the visual to the political and social. differences highlights theoretical debates across the disciplines that address the ways concepts and categories of difference--notably but not exclusively gender--operate within culture.

Offering a fresh approach to East Asia and Asian American studies, positions employs theoretical and multidisciplinary methods in creating a provocative forum for vigorous debate. Through expansive scholarly articles, commentaries, poetry, photo spreads, and political and philosophical debates, contributors consider a broad variety of pressing questions from a striking range of perspectives. Thematic issues of positions tackling new, often pathbreaking areas of concernor traditional areas of concern from a fresh vantage pointare interspersed with general issues offering original scholarship that crosses disciplinary and topical boundaries. The breadth and pace of the journal ensure that readers are challenged as well as informed.

Publishing contemporary poetry and fiction as well as reviews, critical commentary, and interviews of leading intellectual figures, the minnesota review curates smart yet accessible collections of progressive new work. This eclectic survey provides lively and sophisticated signposts to navigating current critical discourse. Under the leadership of new editor Janell Watson, the review will maintain its tradition of exploring the most exciting literary and critical developments for both specialists and a general audience.